Collateral Event of the 19th
International Architecture Exhibition
La Biennale di Venezia

Projecting 

Future Heritage: 

A Hong Kong 

Archive

未來傳承
傳承未來

10 May—
23 November
2025

Campo della Tana
Castello 2126
30122 Venice, IT

Wednesday 7 May 2025
11:30—12:20 Construction tour

Thursday 8 May 2025
13:00—14:30 Forum Hong Kong’s Public Architectures
14:45—16:15 Forum Tropicality and Development
16:30—18:00 Forum Archiving of Architecture and Urbanism

Friday 9 May 2025
12:15—13:00 Hong Kong Pavilion opening ceremony
15:30—17:00 Forum Bamboo: Method not only Form
17:15—18:15 Exhibition Tour with Architectural Histories and European Architectural History Network

Saturday 10 May 2025
14:00—18:00 Forum Hong Kong Cooperatives: Future-Proof Narratives

Sunday 11 May 2025
18:00 Performance Intervention Hong Kong

This representation of Hong Kong in the 2025 Biennale Architettura in Venice wishes to respond to the call for “Intelligens. Natural. Artificial. Collective” by highlighting the “collective intelligens” of the public infrastructures, shaped in the metropolis’ formative post-war decades, and showcase their climatically-responsive tropical modernism already anticipating the Anthropocene turn. Remarkable in their realizations of the ordinary architectures that have been fundamental to Hong Kong’s global aspirations—from the co-operative housings and multifunctional market-library-sports public buildings to the composite and modernist industrial buildings—and designed by the likes of Chung Wah-Nan, Wong & Ouyang, Ng Chun Man and Dennis Lau, P&T, the Public Works Department and architects indigenous to the territory, these structures are until-now little documented, analysed nor shared internationally. Already starting to be replaced by rapidly-changing demand-sophistication and depleting in face of the proliferation of sealed curtain walls, those that remain of these everyday types will one day become the city’s sole “future heritages.” This exhibition thus wishes to highlight to the world and to Hong Kong, these overlooked representatives of the city’s paradigm-shifting era, when the intelligens for collective conceptions are realized in spite of density and economic priorities.
With the premise of returning to uncover and catalogue this representative recent past, in the way urban archaeologists discover the civilizational cosmology through material artefacts, the exhibition transplants these findings to the Campo della Tana site across from the Arsenale, which was once a manufacturing site of industrial scale in a pre-modern world.

The exhibition will remind an international audience that it is these public infrastructures and its collective intelligens that make for the rise of great commercial hubs of the world. While one had been read as a fragrant harbour between piles of barren rocks once and the other emerged out of the murky waters of the lagoons, the island cities of Hong Kong and Venice have since become crucial nodes, though of different eras, in the global flows of goods, knowledge and cultures. Both exist in the precarious equilibrium between the “natural” and the “artificial.” In addition to showcasing Hong Kong’s collective intelligens inside the former storage spaces of Campo della Tana (“tana” itself a resource brought by water for the Corderie’s rope production in the Arsenale), this edition also choreographs the outdoor courtyard as a space for a projective future. The juxtaposition of the two cities will be activated by transplanting Hong Kong’s ubiquitous bamboo scaffolding, a practiced and existing construction method in Hong Kong that is also already part of the circular economy and a yet-to-be recognized intangible heritage for construction knowhow, and the sifus or masters who shape them. On the occasions of the birthday of Tinhau (Sea Goddess), Dragon Boat, the Hungry Ghost, and Mid-Autumn Festivals in late April, May, July and October, the scaffolding will be fashioned as the theatre to the seasons, bringing the cities and their pasts and aspirations together through the shifting tides and the lunar cycle.
Visitors, by entering into the Campo della Tana site will be, performing their own journey between the projective and the archival, heritage and future, collective intelligens and natural/artificial.

Opening hours
11am—7pm
from 10.5—28.9
10am—6pm
from 29.9—23.11

Closing days
Closed on Mondays
(Except 12.5, 2.6,
21.7, 1.9, 20.10,
17.11)

Fai Au (HKIA) is the founder and principal of O Studio Architects, and Associate Professor of Practice in the University of Hong Kong. His practice has received numerous awards and honor including 2021 Prix Versailles Continental Winner, 2020 Architectural Record’s Design Vanguard and 2011 HKIA Medal of the Year. His research focuses primarily on the topic of high-density city living, congestion, gentrification, and social inequality.  Besides his parallel involvement in practice and academia, he has also actively participated in various platforms of knowledge exchange. He is the co-curator of 2017 HKSZ Bi-City Biennale of Urbanism\Architecture (Hong Kong), and the curator of 2022 PMQ HKU Architecture Gallery Exhibition. His works have been featured in various exhibitions including 2023 The Architecture of Prayer Exhibition, 2019 Good Design Award Exhibition, 2018 Venice Biennale, 2018 Play to Change Exhibition, 2017 HKSZ Bi-City Biennale of Urbanism\Architecture, 2017 PMQ 10×100 Exhibition, 2016 “REVEAL 2: +-x÷” Exhibition, 2015 “Past Present Future – Tracking Hong Kong” Exhibition and 2013 Agoras Green Architecture Exhibition.

Dr. Ying Zhou (AIA Assoc.) is an architect and urban theorist teaching at the University of Hong Kong. She is also the current chair of DocomomoHK and is on the editorial board of Architectural Histories, the journal of the European Architectural History Network. She taught and researched with the chair of Professors Herzog and de Meuron at the ETH Studio Basel and Professor Kees Christiaanse at the Future Cities Laboratory of the Singapore-ETH Centre. She has exhibited at the Rotterdam Biennale, Swiss Architecture Museum and the Haus der Kunst, amongst others and her writings appear in Urban China, Critical Planning, Time and Architecture, Topos, Art Journal, and more. Her first book was The Metro-Basel Comic from 2009, also in Chinese on the occasion of the 2010 World Expo. Her research on the contemporary urban transformations of Shanghai was published in the book Urban Loopholes: Creative Alliances of Spatial Productions in Shanghai's City Center in 2017. Her current research looks at how the burgeoning of art spaces manifest the shifts in the arts ecologies of East Asian cities, and their intersections with heritage conservation, gentrification, and the rhetorics of creative cities. Her concern for architecture’s agency in the civicness of the city has compelled her current research into the conceptions and aspirations for the Urban Council complexes since the 1970s in Hong Kong.
Sunnie Lau (HKIA and HKU) believes that human-centric design promotes inclusive communities with innovative sustainable design strategies and urban designers & architects play important roles within the built environment. As a Registered Architect, she has been a regular design critic and instructor at architecture and urban design programmes. Taking up the roles of both practitioner and educator, she has been promoting architecture by designing, exhibiting, writing as outreach, and engaging communities. The endeavors included publicizing ongoing research topic on “Kowloon East Inclusive Innovation & Growth” (Part I); “Kowloon East Inclusive Innovation & Growth (and Beyond)” (Part II), urban research-oriented design seminar on “Urban Mobility and Smart Infrastructure”, “Urban Resilience by Design – Adaptive Landscapes for PRD”, and facilitating dialogue between professionals, academia and young members at various cross disciplinary platforms and institutions. She was Co-Curator & Exhibitor of the Hong Kong Shenzhen Bi-City Biennale of Urbanism\Architecture (Hong Kong) 2017, 2019, Venice Biennale (HK) 2020-2021. She has initiated the Smart City and Sustainability initiatives at the MIT Hong Kong Innovation Node since 2019 as Director at the Node( 2019-2024), co-taught and led the “Hacking Kowloon East” 2021 IAP Workshop and Spring course with Prof. Brent Ryan (MIT) ; and “Beyond Smart Cities- 10 min self-sustainable neighbourhoods in Island South” 2022 IAP Workshop with Prof. Kent Larson (City Science Group, Media Lab, MIT) ; Urban Technology Week 2023-2024 with MITDesignX, Morningside Academy for Design, MIT.
Dr. Eunice Seng (Ir-Arch, AIA Assoc., HKIA Assoc.) is Head of Department and Associate Professor in the Department of Architecture at The University of Hong Kong. She is the founding principal of the architecture and research practice SKEW Collaborative SH-HK-SG and a founding member of Docomomo Hong Kong. She received a BA(AS) from the National University of Singapore, an M.Arch from Princeton University, and a PhD in Architectural History from Columbia University. Her research and scholarship focus on the interaction between historical contingency and the built environments in Asia and Southeast Asia and attending to the interdisciplinary intersections, transnational connections, and agency in architecture, housing, gender, labor, and public space. She is the author of Resistant City: Histories, Maps, and the Architecture of Development (2020) and editor of themed issues of the Journal of Architecture, Architecture Theory Review, and Ardeth. Seng is writing a book on the contingent architecture of housing and development in postwar Hong Kong. 
Ar. Joan Leung Lye (HKIA Fellow) is one of the founding directors, with Prof. Eric Lye of Lotus Architects Limited, a lecturer at the Department of Architecture the University of Hong Kong 1987-1996 and an immediate past member of the Board of Directors for M+ Museum seeing the preparation for and the opening of the museum. She was a member of the Friends Committee of the Asian Cultural Council overseeing the selection of architectural grantees for experience program in the United States. She received a BA (Hons) Arch from the Manchester University, UK and a M Arch from the Massachusetts Institute of Technology. She has been active in the Hong Kong Institute of Architects since joining its membership in 1988 with focus on education, then practice issues with special attention on facilitating small practices; environmental design and sustainable development; heritage and conservation; and urban designs recommendations and comments for the government’s plan for the future city of Hong Kong. She is one of the group who collaborated on the soon to be published books on three earliest economic settlements, in the pre-British occupation era, in Hong Kong, with the mission to advocate preservation of history through preservation of urban villages.
Wing Yuen is a founding partner of YY Projects, an architecture and design practice with a portfolio spanning Hong Kong, China, and the United States.  YY Projects has been showcased in venues such as the Architectural Institute of Japan Gallery, Hopkins Wharf Gallery in Maine, and the Druker Design Gallery. Their projects have been featured on platforms including Leibal, Shinkenchiku, KoozArch, and Gooood (China).  The practice has received accolades including the Bronze Prize at the Panasonic (China) Living Space Design Competition and the Merit Award at the 50th Nisshin Kogyo Architectural Design Competition.  Before relocating to Hong Kong, Wing practiced in architecture offices in the US and China, including NADAAA, Weiss/Manfredi, IwamotoScott, and Neri&Hu.  Spending her formative years in the Bay Area, Wing earned a B.A. in Architecture from the University of California Berkeley and an M.Arch from the Harvard Graduate School of Design, where she contributed as a teaching assistant and instructor for graduate-level courses and workshops.
Jonathan Yeung is a founding partner of YY Projects, a Lecturer at the University of Hong Kong and the Technological and Higher Education Institute of Hong Kong, and a contributor/writer to ArchDaily. He has also lectured at Kyoto Seika University, with his work featured in publications such as ArchiPosition, KoozArch, Artron, and a forthcoming book titled Contemporary Living Yearbook 2026. He was the exhibition designer for Test Site: Social Condenser Extraordinaire – The Municipal Services Buildings of Hong Kong. Previously based in Brooklyn, Jonathan practiced at Toshiko Mori Architect and has also worked at Michael Maltzan Architecture, Sasaki, Sidell Pakravan Architects, and with teamLab on interactive exhibitions in Tokyo. He earned a B.A. in Architecture with Highest Honors from UC Berkeley and received the Alpha Rho Chi Meda upon graduation.  He also studied at the University of Cambridge and Doshisha University in Kyoto and completed his M.Arch with Distinction at Harvard’s Graduate School of Design.
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logosNote: The funding support is subject to approval. Disclaimer: The Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.
Design: Stille StudioDevelopment: Marius Jopen (100k.studio), Klaus Stille