傳承未來
未來傳承
This representation of Hong Kong in the 2025 Biennale Architettura in Venice wishes to respond to the call for “Intelligens. Natural. Artificial. Collective” by highlighting the “collective intelligens” of the public infrastructures, shaped in the metropolis’ formative post-war decades, and showcase their climatically-responsive tropical modernism already anticipating the Anthropocene turn. Remarkable in their realizations of the ordinary architectures that have been fundamental to Hong Kong’s global aspirations—from the co-operative housings and multifunctional market-library-sports public buildings to the composite and modernist industrial buildings—and designed by the likes of Chung Wah-Nan, Wong & Ouyang, Ng Chun Man and Dennis Lau, P&T, the Public Works Department and architects indigenous to the territory, these structures are until-now little documented, analysed nor shared internationally. Already starting to be replaced by rapidly-changing demand-sophistication and depleting in face of the proliferation of sealed curtain walls, those that remain of these everyday types will one day become the city’s sole “future heritages.” This exhibition thus wishes to highlight to the world and to Hong Kong, these overlooked representatives of the city’s paradigm-shifting era, when the intelligens for collective conceptions are realized in spite of density and economic priorities.
With the premise of returning to uncover and catalogue this representative recent past, in the way urban archaeologists discover the civilizational cosmology through material artefacts, the exhibition transplants these findings to the Campo della Tana site across from the Arsenale, which was once a manufacturing site of industrial scale in a pre-modern world.
The exhibition will remind an international audience that it is these public infrastructures and its collective intelligens that make for the rise of great commercial hubs of the world. While one had been read as a fragrant harbour between piles of barren rocks once and the other emerged out of the murky waters of the lagoons, the island cities of Hong Kong and Venice have since become crucial nodes, though of different eras, in the global flows of goods, knowledge and cultures. Both exist in the precarious equilibrium between the “natural” and the “artificial.” In addition to showcasing Hong Kong’s collective intelligens inside the former storage spaces of Campo della Tana (“tana” itself a resource brought by water for the Corderie’s rope production in the Arsenale), this edition also choreographs the outdoor courtyard as a space for a projective future. The juxtaposition of the two cities will be activated by transplanting Hong Kong’s ubiquitous bamboo scaffolding, a practiced and existing construction method in Hong Kong that is also already part of the circular economy and a yet-to-be recognized intangible heritage for construction knowhow, and the sifus or masters who shape them. On the occasions of the birthday of Tinhau (Sea Goddess), Dragon Boat, the Hungry Ghost, and Mid-Autumn Festivals in late April, May, July and October, the scaffolding will be fashioned as the theatre to the seasons, bringing the cities and their pasts and aspirations together through the shifting tides and the lunar cycle.
Visitors, by entering into the Campo della Tana site will be, performing their own journey between the projective and the archival, heritage and future, collective intelligens and natural/artificial.