Collateral Event of the 19th
International Architecture Exhibition
La Biennale di Venezia

Projecting 

Future Heritage: 

A Hong Kong 

Archive

傳承未來
未來傳承

10 May—
23 November
2025

Campo della Tana
Castello 2126
30122 Venice, IT

Wednesday 7 May 2025
11:30—12:20 Construction tour

Thursday 8 May 2025
13:00—14:30 Forum Hong Kong’s Public Architectures
14:45—16:15 Forum Tropicality and Development
16:30—18:00 Forum Archiving of Architecture and Urbanism

Friday 9 May 2025
12:15—13:00 Hong Kong Pavilion opening ceremony
15:30—17:00 Forum Bamboo: Method not only Form
17:15—18:15 Exhibition Tour with Architectural Histories and European Architectural History Network

Saturday 10 May 2025
14:00—18:00 Forum Hong Kong Cooperatives: Future-Proof Narratives

Sunday 11 May 2025
18:00 Performance Intervention Hong Kong

This representation of Hong Kong in the 2025 Biennale Architettura in Venice wishes to respond to the call for “Intelligens. Natural. Artificial. Collective” by highlighting the “collective intelligens” of the public infrastructures, shaped in the metropolis’ formative post-war decades, and showcase their climatically-responsive tropical modernism already anticipating the Anthropocene turn. Remarkable in their realizations of the ordinary architectures that have been fundamental to Hong Kong’s global aspirations—from the co-operative housings and multifunctional market-library-sports public buildings to the composite and modernist industrial buildings—and designed by the likes of Chung Wah-Nan, Wong & Ouyang, Ng Chun Man and Dennis Lau, P&T, the Public Works Department and architects indigenous to the territory, these structures are until-now little documented, analysed nor shared internationally. Already starting to be replaced by rapidly-changing demand-sophistication and depleting in face of the proliferation of sealed curtain walls, those that remain of these everyday types will one day become the city’s sole “future heritages.” This exhibition thus wishes to highlight to the world and to Hong Kong, these overlooked representatives of the city’s paradigm-shifting era, when the intelligens for collective conceptions are realized in spite of density and economic priorities.
With the premise of returning to uncover and catalogue this representative recent past, in the way urban archaeologists discover the civilizational cosmology through material artefacts, the exhibition transplants these findings to the Campo della Tana site across from the Arsenale, which was once a manufacturing site of industrial scale in a pre-modern world.

The exhibition will remind an international audience that it is these public infrastructures and its collective intelligens that make for the rise of great commercial hubs of the world. While one had been read as a fragrant harbour between piles of barren rocks once and the other emerged out of the murky waters of the lagoons, the island cities of Hong Kong and Venice have since become crucial nodes, though of different eras, in the global flows of goods, knowledge and cultures. Both exist in the precarious equilibrium between the “natural” and the “artificial.” In addition to showcasing Hong Kong’s collective intelligens inside the former storage spaces of Campo della Tana (“tana” itself a resource brought by water for the Corderie’s rope production in the Arsenale), this edition also choreographs the outdoor courtyard as a space for a projective future. The juxtaposition of the two cities will be activated by transplanting Hong Kong’s ubiquitous bamboo scaffolding, a practiced and existing construction method in Hong Kong that is also already part of the circular economy and a yet-to-be recognized intangible heritage for construction knowhow, and the sifus or masters who shape them. On the occasions of the birthday of Tinhau (Sea Goddess), Dragon Boat, the Hungry Ghost, and Mid-Autumn Festivals in late April, May, July and October, the scaffolding will be fashioned as the theatre to the seasons, bringing the cities and their pasts and aspirations together through the shifting tides and the lunar cycle.
Visitors, by entering into the Campo della Tana site will be, performing their own journey between the projective and the archival, heritage and future, collective intelligens and natural/artificial.

Curators
Fai AU, Ying ZHOU
Sunnie S.Y. LAU

Advisors
Eunice SENG
Joan LEUNG

Curatorial Team
Jonathan YEUNG
Wing YUEN

Opening hours
11am—7pm
from 10.05—28.09
10am—6pm
from 29.09—23.11

Closing days
Closed on Mondays
(Except 12.05, 2.06,
21.07, 1.09, 20.10,
17.11)

Disclaimer: The Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.
免責聲明:香港特別行政區政府僅為本項目提供資助,除此之外並無參與項目。在本刊物/活動內(或由項目小組成員)表達的任何意見、研究成果、結論或建議,均不代表香港特別行政區政府、文化體育及旅遊局、文創產業發展處、「創意智優計劃」秘書處或「創意智優計劃」審核委員會的觀點。
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